Friday, August 27, 2010

Naming things

I'm not writing here about physical "things" (although sensible names there are important too!). I'm referring to the names we give objects in our digital image processing tools. Not so much the names of image files, but rather things like software presets/templates, actions, layers, etc.

My fundamental guideline:

Names should be concise and tell you what the thing does, rather than how it does it, or what sort of thing it is.


Some examples:

Photoshop layers

When you create a new layer in Photoshop by default it is named something like "Layer 1", while a new Curves adjustment layer might be called "Curves 1". You might end up with a Photoshop masterpiece that has a layer with dust-spot removal (mostly transparent with just some spots fixed), another with acne retouching, a curve layer to add contrast, and so on for a total of 10 or so layers. If you don't give the layers sensible names, when you come back to work on the file in the future it's likely that you'll have to spend time experimenting (e.g. turning layers off and on) to remember what each one does. In the above example names such as "spot removal", "acne", and "add contrast" will make your life easier!

If you're doing sharpening with a stamped layer on the top of the layer stack, with its blending mode set to Luminosity and an Unsharp Mask filter applied to it, I'd at least set the layer name to something that reminds you that its purpose is sharpening (and probably include the USM settings used). Using Smart Objects (where the USM filter would become a "smart filter" and thus record the settings used) I'd still set the name to something about "sharpening".

Filename templates

In Lightroom you might define a Filename Template to use in renaming image files when importing onto your system. These templates are the concatenation of name elements, including things such as date information recorded by the camera for each file. I'm a strong believer in renaming files as their imported so that they will have unique names that will not "collide" with past or future files in your collection, and these Filename Templates make this easy.
Some people use import naming templates that use a sequence number field to keep each filename unique, although this can run into problems if you import photos on multiple computers (e.g. a desktop and a laptop) and later consolidate the files.

The name of your template should briefly tell you what it does, not something generic like "My default". When you're presented with a menu of all the templates you have defined, you should be able to decide which you want without having to choose/edit each one and check what it does.
Not only could "My default" cause issues when you decide to use a new default for importing, but these Filename Templates are also used by Lightroom for renaming files and when naming exported files. You probably don't want to name your exported files to send to a stock library using the same system as you used on import. Firstly the files already have that name, and secondly the stock library probably has its own preferred naming format.

Some people will prefer template names such as "Import filenames" (used when importing), "Flickr filenames" (for uploads to Flickr), "Email filenames", etc. If the name of your preferred import format is "DateTime_Number", I think it would be reasonable to add " (import files)" to the end of that name to remind you what you use it for, but it can help to keep the root of the name consistent with the way you've named the rest of your filename templates.

Metadata templates

In Bridge and Lightroom you might define Metadata Templates/Presets so you can quickly assign Creator/Copyright/Location information to large groups of images (as they're being imported for example). Again, something like "My default" is not very useful.

For example, I have my Creator information which I apply to every image. This contains both my name and some way for people to contact me. However while on trips with my wife I'm often importing and backing up her photos as well, so I have different templates with her Creator information. If this was all I had in my templates, I might have one called "David" and one called "Jane".

On each photo I also set the Copyright Status to Copyrighted, and set the Copyright string to something like "© David Burren 2010" (so that it's the "proper" notice of copyright: see The Copyright Council of Australia's website for further details). Because this contains the year (it's supposed to be the year of first publication, but as a failsafe I use the year of creation) I'll need to remember to update it next year. So I have a template called "David 2010" (containing both my Creator and Copyright information) in order to make it obvious in January that I should define an updated template. I do eventually remove the templates from previous years of course.

The other information I try to set on every photo is location. There are four main fields to this: Country, State/Province, City, Location (see dpbestflow.org for further explanations). While many of my images are GPS-encoded, having the location names here is very useful, even if just for use in searches through my image library. If I'm repeatedly importing cards full of images taken in Richmond (in Victoria, Australia) I'll probably have a template called "David 2010 Richmond" which contains my Creator info, my 2010 Copyright info, City="Richmond", State="Victoria", and Country="Australia". I'll manually fill in the Location field with things like the appropriate building or park names.
I also have a template called "David 2010 Victoria" which leaves the City field blank. If I import a card of images taken in various locations around the state I can use this to set most of the fields, then in Lightroom (or Bridge) I can select blocks of images and I only have to set the appropriate City/Location values.

So right now I have "David 2010 Bendigo", "David 2010 Melbourne", "David 2010 Portland", "David 2010 Victoria", "David 2010 NSW", "David 2010 Antarctica", "David 2010 South Georgia", "David 2010 Argentina", and "Jane 2010 Victoria". Looking at the list of templates I'm immediately able to decide which one is most appropriate, without having to examine their contents.
During the rest of the year I'll probably define new ones, and when I know I'm not going to need a template any more (because its data has already been applied to all the relevant photos/videos) I'll remove it.


The same ideas are applicable to naming Photoshop actions along with many other processing tools. The important factor you're thinking about when you're selecting an object is "What does it do?", so the names should help you remember. Sometimes it's based on what task you use it for (e.g. "sharpening" and "Flickr filenames") while sometimes it's more useful to also include a summary of what it does (e.g. "DateTime_Number").
While you're creating and experimenting with the objects you might not initially know the best final name, but you should go back and rename the object appropriately ASAP. It will make your digital life easier!
Continue reading "Naming things"...

Thursday, August 26, 2010

Student exhibitions galore!

Tonight I'm off to Loop Bar in Melbourne for the 8pm showing of Flaunt, a fundraising exhibition of projected images by students and staff from Photography Studies College.

Then tomorrow another of my students has some work in a more-traditional exhibtion. Grace Leung's show Like Cloud Gazing is launching at the Off the Kerb gallery (it will run until the 17th of September).

It's always interesting and encouraging to actually get out in person and see exhibitions by fellow artists. If you're able to drop by any of these launches, be sure to say hello!

Incidentally, I'm planning a physical exhibition of some of my polar photography after I get back from this November's Antarctic expedition: possibly even before I head back there again next year! If you're interested in making your own images from exotic locations, head on over to the LuminOdyssey website to see details of the photographic workshops we're running next year in Africa, the Arctic and the Antarctic.
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Friday, August 13, 2010

August Albatross outing cancelled due to bad weather

Planning trips out onto the Southern Ocean is always a gamble, and again this time it hasn't come off. Our boat's captain has cancelled the trip we had scheduled for this Sunday, and I'm not surprised why: the forecast is for 30-40 knot winds and 5m waves!

Not really conducive to save travel, let alone staying upright and photographing on a small fishing boat!

Unfortunately we don't have any more boat bookings in place for this year, so we can't offer rescheduled trips (which we've done with earlier cancelled voyages - always due to bad weather). Although we are firming up details of our December gannet workshop and some participants have switched their bookings over to that, there's always the option of a refund.

More news as it develops!
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Saturday, June 12, 2010

I found my photography gloves again!

I made a discovery today that made my day!
Quite a few years ago I was in an outdoor "disposals" store in the suburbs, and bought some neat fleece gloves. Finger-less gloves, with a fold-over mitten flap:


Made by Torpeako, these have been GREAT for photography in cold weather. I can poke a finger or two out to operate the camera buttons, and then pull them back into the warmth. The mitten flap is held to the back of the hand with a small patch of velcro. These have been with me to both polar regions, and I haven't really been concerned with the cold. Actually, when it gets very cold I put on a pair of thin gloves underneath to help:


So far this has been fine down to around -20C (not that we get that cold in the Antarctic summer, but last December in northern Norway it did get "quite cold").

But I haven't been able to find more of these gloves. I'm often asked what gloves to use for photography in cold weather (especially by participants in my Antarctic and Arctic photo workshops) but my answer has had to be "ones like this, but I don't know where to get them any more". The store I bought mine from closed years ago, and in any case Torpeako have changed their designs. They do have a similar model they market to fishermen, but the design of the thumb isn't the same. In the last year I've asked most outdoor clothing supply stores around Melbourne, and while some people remember having them in the past, no-one's been able to point me to current suppliers.

This all changed today, when I happened to be walking through Melbourne's CBD and dropped in on Pinnacle Outdoors in Little Bourke St (near Hardware Lane). Having looked at some camping gear I was about to leave but asked the staff about the gloves just in case they had useful advice. With a grin they stepped behind the counter and picked a pair of gloves off the shelf!



The palm patch is for extra grip. They're the KAOS "Hunter" model, and they're even made in Melbourne. They cost AU$25/pair, and are available in four sizes. I bought the XL size, and will be testing them out over this winter. But having tested them out at home today and with my previous experience with my other gloves, I'm very happy with them so far! Apart from anything else it's nice to have a backup pair in case something happens to my other gloves.



If you're after these gloves, don't hesitate to give the nice folks at Pinnacle a call (+61 3 9642 2955). They did say they're happy to process credit cards over the phone and post gloves out. I do have the email address of the store's owner, but won't list it here.

Incidentally, I'm hoping that the new Dots Gloves D430 gloves will make good inner gloves with these for my next Antarctic trip: they will allow me to use my iPhone in the field without having to de-glove entirely. Not that I'll be using it as a phone, but I do use some of the apps even when away from phone networks!
Continue reading "I found my photography gloves again!"...

Friday, June 11, 2010

The Outback, Antarctica, and Spitsbergen

The weather has not been my friend regarding our outback trip. With washed out roads we had to postpone. As it happens that's been OK: there's been lots to get on with back at base!

There've been a few things going on over at LuminOdyssey if you haven't been watching: we have a vacancy on the November Antarctica 2010: A Photo Odyssey voyage, and we've opened up bookings for our July 2011 circumnavigation of Spitsbergen. We've called it our Isbjørn Photo Odyssey (Isbjørn is Norwegian for polar bear). Expect more news soon about the next Antarctic adventure!

The APPA judging last weekend at the PMA show in Melbourne was very interesting, although in the end the judges didn't like my images enough to give them awards. Maybe next year! The PMA show itself was also very interesting. Some interesting new products, and a chance to meet up with old friends and make some new ones.

I've got a few new projects in the pipe which I've very excited about, but they'll have to wait for now. Hopefully I'll have more news for you soon!
Continue reading "The Outback, Antarctica, and Spitsbergen"...

Thursday, June 10, 2010

Scott Kelby Worldwide Photo Walk - July 24, 2010

So far there are 3 walks in Victoria. I'm leading one in Carlton, my friend Paul Grinzi is leading one up at Mt Hotham, and there's another in Geelong.

Head on over to the main site to find a walk near you, or head straight to the Carlton page and sign up. It's free, and is a great excuse to get out and about with other photogs and exercise that shutter finger! One person on each walk will win a copy of Scott's latest Photoshop or Lightroom books. There are also some nice prizes being awarded to the best images worldwide. But don't come just for the chance to win something material: that's just a bonus.

I participated in the 2008 Southbank walk and the 2009 Brunswick walk (which Paul led) and had a lot of fun. I'm looking forward to this year's walk!
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Saturday, May 29, 2010

Sunday's pelagic trip cancelled due to weather

This Sunday's pelagic (ocean) photography trip had to be cancelled due to bad weather. Our skipper made the call, and I heartily agree. With a forecast of winds of 20-30 knots, rain, and a 3m swell, an ocean trip in the 48-foot boat would not be fun!
Unfortunately this is always a risk with these one-day boat trips. Our next scheduled pelagic trip is on the 15th of August, when we'll try again.

Some of the photographers who'd booked for this Sunday's trip have rebooked on the August trip (the others got refunds). There are still a few free places on the August trip, so have a think about joining us on the adventure!

By the way, this blog entry is actually a copy of a news item on the LuminOdyssey.com site (which is chiefly for the larger photography teaching expeditions I'm involved in). If you haven't checked it out, have a look. And keep an eye on it: we've got several exciting trips for 2011 to be announced in the near future!
Continue reading "Sunday's pelagic trip cancelled due to weather"...